The Classic German School; The Modern German School

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t11ST0R1(___')'AL RECITALS
OF VOCAL AND PIANOFORTE MUSIC,
BY
_M
l~a'd ITER
R - DR
axe RAYMOND
MID
'Bu. MILLS.
Mr. F. L. RITTER			
WILL PRESIDE AT THE PIANOFORTE AS	ACCOMPANIST.		
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FRIDAY EVENING, 8 01CLOCII, JUNE 12,	1868.		
P A R T F I R S T			
			
THE OLD ENGLISH SCHOOL			
1. PRELUDE, .................................................... ...... .............	..... WILLIAM BYRDE.
*	160o	
2. THE CAPTIVE,-Song ............ - ..................................................
'	............ GIBBONS.
*	1620
~	
I ATTEMPT FROM LOVE
S SORROW TO FLY, --Song ..... ....................... .	............ PuRcELL.	1680	n,)
SALLY IN OUR ALLEY, -Ballad .....................................................	....... HENRY CAREY.	1715.	
3. THE HUNDREDTH PSALM,-set as a lesson for the Pianoforte_ .. .. ~ ....... ......	........... Dr. BLOW. *	1680.	
THE OLD FRENCH SCHOOL,			
4. SOYEZ FIDELE,-Air from the Ballet "Le Mascarade de Versailles ....................	. ............ LULLY. *	1660.	
5. RONDEAU,-"Le reveil-Matin," and Allegretto ....... ... .................... .......	........... COUPERIN. *	1668.	
,,LE TAMBOURIN," and "LA MUSETTE ......	............ RAMEAU. ~	1720.	
6. -PUISSANT MkITRE DES PLOTS,"-Scene from the opera "Hippolite et Aricie .. ...	............ RA-MENU. *	1733.	
THE OLD ITALIAN SCHOOL.			
7. SONATA in D major ............. .. ............................................... DomEmco SCARLATTL~ 1713.
8. 11DOLCE A-MOR,"-Siciliano ...................................................................... CAVALLI. 1650.
,,0 DI CHE LODE,"-(The eighth Psalm) . ........................ ............... . IARCELLO. * 1720,
9. SONATA in D ................................................ ............ ................................. GALUPPI. * 1740.
P A R T SECOND.
FOLK-SONGS, AND PIANOFORTE COMPOSITIONS FOUNDED ON THEM.
10. QUANDO TI VEDO . ....................................................... .. .... ... . ..... ROMAN SErrNADE.
LISETTO QUITTE LA PLAINE .................................... ... ................. NEGRO FRENCH LAIIENIT.
SE AMOR MAI ............................................................................. VENETIAN BARcAROLA.
11. __KAZURKA, Op. 6, No. 1, and VALSE, Op. 64, No. 2 ............... .................... ....... ........ CHOPIN-
12. AVITH ALL THE EAVENLY HOST ............................................... OLD ENGLISH CHRISTIMAS SONG.*
LA JOTA ARRAGONESA . ................. ........... ...... SPANISH DANCE SONG.
13. POLONAISE in E flat, Op. 22 ............................................................................ CHOPIN.
All the numbers marked * are performed in public for the first time in America, on this occasion.